
BOYD OWEN
BOYD OWEN
Boyd Owen began his most recent season in Australia, debuting the role of Rodolfo in Puccini’s La Bohème, with Melbourne Opera. He then joined The Ten Tenors for their 30th Anniversary Celebration Tour through Germany and Australia; and along with other members of the ensemble, he was presented with the Keys to the City of Brisbane in recognition of his contribution to the 30-year legacy of the group.
Previous seasons saw him perform the role of Normanno, in Donizetti’s Lucia Di Lammermoor, with Melbourne Opera. In Aotearoa/New Zealand, he was involved in assisting and advising on the inauguration of the new opera company, Wellington Opera. He then worked as the Italian language and diction coach for their inaugural production of Mozart’s Don Giovanni.
In Wuhan, China, he sang his first Alfredo in Verdi’s La Traviata, for Melbourne Opera’s New Year China tour, and in Shanghai he debuted the role of the Evangelist in Bach’s St John’s Passion, with conductor Fred Sjöberg and the Shanghai International Choral League. He then joined the Spazio Musica Summer Festival in Orvieto, Italy, to sing his first Elvino in Bellini’s La Sonnambula, with conductor Maurizio Arena; before performing as Rodrigo in the Australian première of Rossini’s Otello, with Melbourne Opera. He then returned to Aotearoa/New Zealand, to make his debut as the Duke of Mantua in Verdi’s Rigoletto, with Eternity Opera in Wellington. He sang the tenor solo in Orff’s Carmina Burana at Carnegie Hall in New York, USA; and in Mendelssohn’s Elijah in Shanghai, China.
He performed with Australia group The Ten Tenors, in various tours, over 16 years. His time with the group included numerous highlights: TV appearances such as the Jerry Lewis Telethon, USA; Carols by Candlelight, Australia; Verstehen sie Spass, Germany; and the Allsång festivals in Norway and Sweden; as well as recording many albums and concerts including the live performance recording of Amigos Para Siempre in Madrid with the RTVE orchestra. He was the singing voice behind the Foster’s Carlton Draught ad campaign Slow Motion – Made from Beer.
Other Performances. Opera: (Italy) Lindoro, Rossini, L’Italiana in Algeri (Maggio Musicale Fiorentino, Florence). Don Narciso, Rossini, Il Turco in Italia (Teatro Municipale di Piacenza and Teatro Alighieri di Ravenna). Ernesto, Donizetti, Don Pasquale; Quint, Britten, Turn of the Screw (Teatro Comunale di Bologna). Ramiro, Rossini, La Cenerentola (Teatro dell’Opera Giocosa, Savona). Nemorino, Donizetti, L’Elisir D’Amore; Don Basilio, Mozart, The Marriage of Figaro (Spazio Musica, Orvieto). (Australia) Percy, Donizetti, Anna Bolena (Melbourne Opera). Symphonic Concert: (China) Handel, Messiah; Orff, Carmina Burana; Puccini, Messa Di Gloria (Shanghai). (Italy) Britten, Ballad of Heroes (Teatro Comunale di Bologna). Schubert, Mass in G Major (Alessandria). Vocal Competitions: 1st Prize, Sydney Eisteddfod Opera Scholarship (Sydney, Australia). 1st Prize, 18th International Spazio Musica Singing Competition (Orvieto, Italy). 2nd Prize, Herald Sun Aria (Melbourne, Australia). 2nd Prize, New Zealand Aria (Rotorua, New Zealand). Semi-Finalist, Hans Gabor Belvedere Competition (Amsterdam, Netherlands)
Boyd is a proud citizen of both Australia and Aotearoa/New Zealand, (Māori Iwi: Ngāi Tahu, Ngāti Raukawa, Ngāti Kahungunu). His undergraduate studies were with Peter Mander at the Melba Conservatorium of Music (Melbourne, Australia); and he is currently completing a Master of Music, studying the performance practice of Rossini’s tenors arias, with professor Qilian Chen at the Shanghai Conservatory of Music (Shanghai, China).
CALENDAR
Dante’s Lover and Visionaries
45 Downstairs Chamber Music Festival
Inspired by Dante’s La Commedia, this evocative program traces a journey from the torments of Inferno to the redemptive vision of Paradise.
Liszt’s monumental Après une lecture du Dante features amongst a sequence of works exploring Dante’s most compelling figures, including the tragic Francesca da Rimini.
At the heart of the concert is the world-premiere of Gordon Kerry’s major song cycle Dante and Beatrice, performed by soprano Rachel Joyce, mezzo-soprano Dimity Shepherd, tenor Boyd Owen, and baritone Christopher Hillier. Drawing on Sir Samuel Griffith’s English translation (OUP, 1911), with story adaptation by Margot Costanzo and libretto by Costanzo and Kerry, the cycle charts Dante’s spiritual passage toward Beatrice. Music by Granados and new commissions, including Gulliver Poole’s Paper Love, create an unmissable Dantean tableau.
45 Flinders Lane, Melbourne, Australia
Wednesday 22 April, 2026
7:30 pm
REVIEWS
Boyd Owen bring[s] total commitment ... with ringing tone and robust passion
Theatre Review, New Zealand
Boyd Owen was exceptionally impressive in respect of the range of his attractive, virile tenor voice and the way he negotiated the numerous florid passages. He was a convincing actor, striking a nice balance between ardent suitor and jealous plotter
Classical Melbourne
Boyd Owen is likewise well cast... He possesses a fine voice … one with a kind of heroic intensity that compels the attention
Scoop, New Zealand
VIDEO
Boyd Owen - Tenor


Boyd Owen - Tenor

Boyd Owen performing with NSSO in the 2017 Sydney Eisteddfod Opera Scholarship
